Antheil is certainly not obscure to general classical devotees, but perhaps less so for film music fans as he sadly didn't write too many movie scores. Yet I'm sure if he'd have written something like, say, ROCKETSHIP X-M (scored by Ferde Grofe), he'd be better known. It's not just the score, it's the genre itself. Sadly there are more interested in horror/fantasy/science fiction scores than for others. (This is a generalization, and I'm prepared to be 'shot down'. But it does reflect a view which Robert Townson made some years ago. I disagree in that the aforementioned genre does inspire wonderful work, but this doesn't mean that scores for 'serious' movies should be overlooked either.) THE PRIDE AND THE PASSION would make a wonderful subject for a new recording by Tadlow or Prometheus. But sadly, as with the scores for Nascimbene's THE VIKINGS and Cordell's KHARTOUM, I doubt it will happen. Please prove me wrong!
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