Intrada Soundtrack Forum

Georges Delerue on Intrada. We needs it.

Get over it.

_________________
"Questions are a burden to others; answers a prison for oneself"
"Unlike me, many of you have accepted the situation of your imprisonment and will die here like rotten cabbages."
"Everyone votes for a dictator."
THE PRISONER

That will be the day.

The true resolve of asandtrack fan. As a man bigger than us once said, "Never give in. Never give in. Never, never, never."

_________________
"Questions are a burden to others; answers a prison for oneself"
"Unlike me, many of you have accepted the situation of your imprisonment and will die here like rotten cabbages."
"Everyone votes for a dictator."
THE PRISONER

Bump with an updated list:

POSSIBLE:

Her Alibi, 1989 (Warner)
Love thy Neighbor, 1984 (Fox TV)
Sin of Innocence, 1986 (Fox)
Twins, 1988 (Universal)
A Little Sex, 1982 (Company Four + MTM Enterprises / Universal)
Anne of the a Thousand Days, 1969 (Hal Wallis Productions / Universal)
Man, Woman and Child, 1983 (Gaylord Prod. / Paramount)
Partners, 1982 (Paramount + Aaron Russo Prod.)


IMPOSSIBLE/UNLIKELY (reason):

Julia, 1977 (Fox) (possibly not enough music)
Something Wicked this way comes, 1983 - rejected score (Disney) (who knows??)
Touch and Go, 1986 (Rejected score???) (Kings Road Entertainment / TriStar) (who knows??)
Biloxi Blues, 1988 (Rastar Pictures / Universal) (very little score)
Mister Johnson, 1990 (Avenue Pictures / Fox) (very little score)
Man for all Seasons, 1966 (Open Road / Columbia) (not enough music)
Beaches, 1988 (Touchstone) (not enough music)
Heartbreak Hotel, 1988 (Silver Screen Partners III, Touchstone) (very little score)

EUROPEAN FILMS (European labels will probably take care of these)

Conseil de Famille, 1986 (Films A2 + K.G. Prod + Société des Etablissements L. Gaumont)
Documenteur, 1981 (Ciné Tamaris)
Femmes de Personne, 1984 (France 3 Cinéma + T. Films)
Josepha, 1982 (Albina Prod. S.a.r.l. + Mondex Films + TF1 Films)
Liberty Belle, 1983 (Films A2 + Hachette Premiére + Films du Losange + Société des Establissements L. Gaumont)
La Passante du Sans-Souci, 1982 (Central Cinema Company + Elephant Prod + Films A2)
Premier Voyage, 1980 (A2 + Fildebroc + Oliane Prod.)

UNCLEAR (producer / distributor)

American Friends, 1991 (BBC + British Screen + various others)
Amos, 1985 (Amos Productions + Bryna Productions)
Arch of Triumph, 1985 (Harlech Television)
Broken English, 1981 (Lorimar Prod)
Deadly Intentions, 1985 (Lorimar Prod)
Cadence, 1990 (Northern Lights Media + Republic Pictures + Moving Group)
Day of the Jackal, 1973 (Warwick Film Prod. + Universal Prod. FR)
Escape from Sobibor, 1987 (Zenith Entertainment / CBS)
The Execution, 1985 (Comworld Prod. / NBC)
Her Secret Life, 1987 (Phoenix Entertainment / King Features)
Josephine Baker Story, 1991 (HBO) - interesting music credits http://imdb.com/title/tt0102167/companycredits
Maid to Order, 1987 (?????? / Ascot Videos + New Century Vista Film Comp.)
Memento Mori, 1992 (PBS??????)
Mesmerized, 1986 (Manchester Prod. + Orinward ltd + RKO)
Paris by Night, 1988 (British Screen Production + Film Four Intern. + Zenith Entertainment)
Qualcosa di biondo, 1984 (New Team + Peregrine + Roger Gimbel Prod.)
Queenie, 1987 (Von Zerneck Sertner Films)
Silence by Heart, 1984 (David A. Simons Prod.)
Stone Pillow, 1985 (Gaylord Productions / CBS)
Sword of Gideon, 1986 (Alliance Entert. + CTV TV Network + HBO+ Rogers Cable + Sociéte Radio Canada + Téléfilm Canada)
A Time to Live, 1985 (Blue André Prod + ITC)
La Vie Continue, 1981 (Cinéproductions + Société Francaise de Production / Columbia + Triumph Releasing Corp.)
Without Warning: James Brady Story, 1991 (Enigma Films + HBO)
Women of Valor, 1986 (Inter Planetary + Interplanetary Pictures Prod. + Jeni Prod.)
Richard's Things, 1980 (Southern Pictures / New World Pictures)
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I can only hope that, in 2013, Intrada will take care of at least one of the scores listed.

_________________
"Questions are a burden to others; answers a prison for oneself"
"Unlike me, many of you have accepted the situation of your imprisonment and will die here like rotten cabbages."
"Everyone votes for a dictator."
THE PRISONER

Well in the mean time, other Delerue scores should be released. It's been far too long since the last Intrada Delerue.

Why should 'very little score' specifically rule out something? Could easily be added on to something else, I'd think.

_________________
"Questions are a burden to others; answers a prison for oneself"
"Unlike me, many of you have accepted the situation of your imprisonment and will die here like rotten cabbages."
"Everyone votes for a dictator."
THE PRISONER

A bump because anything Delerue related deserves to be on the front page.

Quartet Records is proud to present its two new releases:

MAN, WOMAN AND CHILD
Music Composed and Conducted by Georges Delerue
Limited Edition of 1000 units



World premiere release of the wonderful, radiant film score composed and conducted by Georges Delerue for MAN, WOMAN AND CHILD. Directed by Dick Richards (FAREWELL MY LOVELY) in 1979, the film starred Martin Sheen, Blythe Danner and Sebastian Dungan.

Written by Erich Segal (LOVE STORY) from his own novel, the plot centers on a professor of literature (Martin Sheen) – with a wife and two daughters – who learns he has a son. A few years earlier, while visiting France, he had an accident and then an affair with the doctor who treated him. Now she has died and he finds out about the son he never knew he had. When he tells his wife, she suggests they bring him to the States for the summer. The film explores how the boy’s presence affects their family.

The perfect choice for scoring this sensitive film was Frenchman Georges Delerue, composer of some of the most romantic and bittersweet film scores ever written (THE SOFT SKIN, TWO ENGLISH GIRLS, LE MÉPRIS, OUR MOTHER’S HOUSE, RICH AND FAMOUS). Favorite composer of two iconic French directors (François Truffaut and Philippe de Broca) and collaborator with many important European directors (Ken Russell, Jack Clayton, Jean-Luc Godard, Bernardo Bertolucci), Delerue moved from France to L.A. after winning his only Oscar (for the film “A LITTLE ROMANCE) in 1979. Starting in the eighties, he entered a new period focusing on American films – most of them romantic movies. The music written for MAN, WOMAN AND CHILD is undoubtedly one of the most memorable of these American scores, and an absolute treat for all Delerue fans.

The album contains Delerue’s complete score – including the beautiful song “Never Gone,” performed by Edie Lehmann – and a few alternate cues. The entire album was assembled from original multi-track stereo session masters vaulted at Paramount Pictures. The packaging includes a 12-page full color booklet with informative liner notes by Tim Greiving. MAN, WOMAN AND CHILD contains the essence of Delerue’s gift—beauty, sadness, romance—and remains an essential work from one of the finest composers who ever wrote for the screen.