This Golden Age collector also loves Phillip Glass, Steven Reich and Michael Nyman. My collection includes many Glass CDs, film scores as well as classical compositions. I listened to THE ILLUSIONIST just yesterday. How is the new KOYAANISQATSI? (The trilogy is brilliant!) If I purchase the new one, and I suspect I will, it will be my fourth purchase of this score.
The cell structure, used by Glass, in my mind, somewhat simulates the mindfulness quality of "flow" associated with Zen Buddhism, being very much in the moment and focused on the variations and repetition of that cell structure in the music. You are probably aware that Glass is a Buddhist practitioner. I recall a conversation with a woman from LA, at TIFF, and she mentioned to me that she meditates to KOYAANISQUATSI. I have tried it, but it doesn't work for me. I prefer to use my breath.
Regardless, listening to Glass is a different experience than focusing on themes and dramatic meaning. The Buddhist idea of emptiness (potential) might be a useful door opener. I liked Steven's idea of mesmerizing and the reference to Bennie Herrmann's use of musical cells.
BB