As was said in a previous thread a couple of releases ago, there will never be a universally satisfactory time, since people order from just about anywhere on the planet.
I'm sure even a careful study of the geographical repartition of customers and the choice of a time that would be "day time" for the most would still be a problem, since many would either be commuting from or to work, or right smack in the middle of their occupation, with no way of getting online (outdoors, in a store, teaching, in a laboratory, in a hospital, ...).
For instance, when Varèse released the Ghosbusters Club batch, I was very lucky that the release occurred about 20 minutes before I started teaching; the title did not sell out in an hour, but you never know (especially as there were no clues).
The only solution that might be considered would be to have a 4-step release:
a/ 30% released at a US "day time"
b/ 30% released a few hours later, at a European "day time"
c/ 30% at another "day time", for Asia & Oceania
d/ 10% for everyone who might have missed out on the earlier steps
This would probably be a bit complex to actually do (with percentages based on previous sales), though.
I didn't get Silvestri's Delta Force; I hesitated, because some samples sounded nice enough, but others did not thrill me; I was tired and had a headache and had stayed up for this, and it was tough for me to keep thinking about it, so I thought I might as well go to bed and return in the morning.
It sold out before I got up, which surprised me a bit.
Yet I did not complain, nor blame intrada of picking horrid times or of thinking only of selling everything without caring for film music lovers.
I missed out on this one, and that was it.
I can understand frustration, but not the blame and capitalist conspiracy theories you find on message boards.
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