If we can't quote Rush Limbaugh here, we certainly can't have Republican debates here. But the free market and selling and profitting is okay.
Anyway, I wanted to head off a path I think I see coming. I fear more harm from it than good. What I am talking about is large -- many months, or half a year, whatever -- early announcements so people can plan their expenses in advance since we get such an onslaught. I remember a couple times that happening. Though apparently no one consults Kimmel, which is always fun to watch.
We've had these before, but always in one, two, or small amounts. The laregest was FSM about a year ago announcing a handful of titles early. Some labels have announced really early, too, like: Intrada ("Road House" -- I hope they find that missing cue; and Feilding's last score); FSM ("Poltergeist" 2CD and another title I forget the name of); SAE accidently spilling the bean on FSM doing "Gremlins", which is now looking to come out indeed year's end); and labels like LLLR and Quartet pre-announcing at events like Ubenda. I only wish tge Varese Club would do that sometimes (hell, isn't September the next striking date?)
But let's face it -- and this is in no way what so ever derogatory or negative -- Intrada and La La Land have been the go-to guys for in-demand and Holy Grails as of the passed, oh, three years. "Back to the Future", "First Blood", "Patton", "The Great Escape", "Innerspace", "The Journey of Natty Gann", "Star Trek V", "Batman", "Home Alone", "Predator", "Days of Our Lives" - just to name a few. Okay, maybe not so much "Days of Our Lives"...
Sure, FSM has had some, but not so much.
Let's do a hypothetical situation. Let us say Intrada pre-announces "Highlander", "Starship Troopers", "The River Wild", "The Incredibles", some random Goldsmith title, a half dozen other popular things. LLLR pre-announces "Judge Dredd", "The A-Team" box set, a random Williams title, "The Hunt For Red October", other stuff. Suddenly, FSM, Music Box Records, Quartet, others, see a slight decline in sales. Then a bigger one at selling points.
The pre-announcements are now common place. Sales drop. We'll take FSM here. They want to experience the increase in revenue flow. Suddenly, instead of that classic Max Steiner score, beloved Franz Waxman, or random golden or silver age title -- which mivht stick around for a few years, get pushed to the wayside. Something newer, more recent, like an '80's title, is done. More are done then, since the trick worked, and it would have to be done if everybody can plan way ahead on expenses and there are at least one dozen labels now.
I always hark on FSM ever since seeing Lukas talk about financial woes, and that in order to maintain things two to three CDs a month were necessary to release; what do we see from them now? One here and there. Then the losses he took on the Ron Jones box. I fear for the future of FSM. Half their titles have no sold out, some over ten years or sitting there.
I worry about the money of all smaller labels, even ones I've never boughten from, like Howlin' Wolf Records.
And if you think a label can't fold, remember Percepto -- GONE.
_________________ "Questions are a burden to others; answers a prison for oneself" "Unlike me, many of you have accepted the situation of your imprisonment and will die here like rotten cabbages." "Everyone votes for a dictator." THE PRISONER
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