I just got through my first listen of this (ALL of it) and I'm SO glad I didn't listen to the naysayers! Every second of it is worth every penny for me. My preferred presentation of the score would be the two discs of mono tracks, 'cuz of all the stuff I've never been able to hear on its own before. Also, there's something odd going on with the stereo imaging on the first disc that I'm not technically savvy enough to articulate, but in the notes Robert Townson mentions having to deal with an unfortunate amount of reverb that the record company had applied to their masters so it could be a symptom of that.
The kvetching about the two tribute discs comes across as particularly mean spirited and pointless now that I've actually heard them. I wouldn't have minded a third disc. If I had to single out the interpretations that really sang to me it would be Desplat's 12-flute version, Mark Isham's eerie trumpet-led soundscape that flutters around North's theme, Terry Callier's vocal and guitar version, Diego Navarro's delightfully surprising tango version, and of course Bill Evans' classic triple piano improv. **LATER** Gábor Szabó's version is quite wonderful too, on second listen.** Ask me in a week and I'll probably have a different list. Most fascinating was listening to the VERY different solo piano interpretations of Dave Grusin, Patrick Doyle, and Randy Edelman.
The DVD's quite nice too. Very much a love-fest but there's nothing wrong with that. Hearing John Williams, Lalo Schifrin, Christopher Young, Brian Tyler (TOTAL fanboy!), Alexandre Desplat (French fanboy!), David Newman (Newman fanboy!) and the rest enthusing about Alex North and this score made FINALLY getting this music after all these years even sweeter. Maybe it could've been about ten minutes shorter, but you're certainly not going to hear me complain about getting too much of a good thing.
I missed the Mark Isham video that was up very briefly on YouTube last spring that shows him working with his guys on his version of the love theme, but it's on the DVD as well. Found it fascinating. Those that hate jazz or Mark Isham or are unwilling to contemplate the love theme without a massive string section aren't going to like this either, of course, but those willing to experiment a little might just find their horizons broadened. There's a performance video with Diego Navarro's guys doing the tango version he came up with and it only reinforced how much I dig this take on things. Nice interview with him as well. I don't know that every classic soundtrack needs this sort of treatment, but I'm glad this one got it.
Oh! I haven't read all of the book yet, but it looks to contain a potted history of the film, extensive track-by-track analysis, and other stuff. So they naysayers confidently predicting a hundred pages of photographs can go suck eggs.
