Possible Future Recordings

swtaysun · **Joined:** Tue Sep 25, 2018 8:47 pm **Posts:** 1

• Jungle Book
• Face of a Fugitive/Black Patch
• Brute Force

"The Waltons" scores by Jerry Goldsmith with a new recording of Jerry Goldsmith's "The Homecoming: A Christmas Story"

Jerry Goldsmith TV movies - Prudence and the Chief, Crosscurrent, Lights Out, Crawlspace, Do Not Fold, Spindle or Mutilate

"Shamus" and "The Don is Dead" by Jerry Goldsmith

"Endless Night" by Bernard Herrmann

"Now, Voyager" by Max Steiner

Ed · **Joined:** Mon Mar 06, 2006 5:03 pm **Posts:** 276

I'll purchase anything on that list. Having said that, my two choices were SUSPICION and STRANGERS ON A TRAIN and not because they are Hitchcock films but because both are exceptional dramatic scores in their own right and I'd like to hear more in digital sound than the suites and original fragments.

Looking beyond the impressive titles on the list, I'd love to first suggest THE MAGNIFICENT AMBERSONS due to the incredible job William Stromberg did with FAHRENHEIT 451 and WALKING DISTANCE. The Lasher re-recording is lacking in a number of respects and sometimes doesn't even sound like Herrmann to my ears. Some cues are clearly too fast, others too slow and the whole is lacking orchestral detail. Not, I know, a popular choice but there it is.

I'd also like to hear a complete ON DANGEROUS GROUND. Stromberg's BATTLE OF NERETVA shows what's possible and I'd love to hear his take on the expressive viola d'amour sections.

chriss · **Joined:** Wed Jan 18, 2006 4:07 am **Posts:** 381

I wonder if it would be cost-effective to record more than one album at one session in Europe (score preparations, plane fairs, hotel, ....)?

Hank V · **Posted:** Wed Sep 26, 2018 2:01 am

I dont know how much music can be dug up from 'Jungle Book' but 'Jacare' could fill out a CD issue quite nicely if there was not sufficient.

batman&robin · **Joined:** Thu Oct 08, 2009 11:05 am **Posts:** 62

Black Patch / Face of a Fugitive. Of course.

Of course!

Guenther · **Joined:** Mon Jun 04, 2007 1:43 pm **Posts:** 16

shicorp · **Posted:** Wed Sep 26, 2018 2:36 am

Guenther · **Joined:** Mon Jun 04, 2007 1:43 pm **Posts:** 16

Traveling Matt · **Joined:** Tue Feb 19, 2013 6:55 am **Posts:** 71

Since I see it hasn't been mentioned yet and it frequently makes it to these kinds of discusions... Rozsa's SAHARA would be wonderful. Full of that prime early 40s sound of his. I'm not sure how long it is so perhaps it could be paired with another short Rozsa if need be?

It's super exciting this project is funded, and I hope it's just the beginning of a long series! Congrats Intrada!!!

T. Newman Fan · **Posted:** Wed Sep 26, 2018 7:00 am

George Komar · **Joined:** Wed Jun 01, 2011 7:55 pm **Posts:** 24

I agree with Doug Raynes about the Rozsa scores. Either Jungle Book or Brute Force would be great, but Rozsa's Oscar-winning A Double Life is long overdue.

vinylscrubber · **Posted:** Wed Sep 26, 2018 8:00 am

If Intrada is bound and determined to carry on with Hitchcock scores, I'd much rather it be STRANGERS ON A TRAIN rather than SHADOW OF A DOUBT. In fact, a good friend of mine from McKeesport, PA (long a lurker and not a poster) and I would much prefer another Tiomkin score--HIS MAJESTY O'KEEFE. Of course the music score for that is probably long lost to the ages.

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