I still struggle with this notion of what constitutes a 'guilty pleasure' (g-p). Taking my cue (pardon the pun) from Doug's embrace of "Family History" (STAGECOACH), I interpreted this to be a reference to cues from nondescript, minor Goldsmith scores that have inspired moments. Goldsmith's pretty love theme from THE CHAIRMAN has also been mentioned as a g-p, by Steven.
But the use of the word "quirky" leads me to think we are talking about comedic or unusual orchestration or things that just sound plain, weird. Can someone help me to sort out the frame of reference for this very subjective notion in relation to universal (consensual) standards of what is inspired Goldsmith, which I take to mean something like THE BLUE MAX or PAPILLION?
If odd is the criterion, then I suppose something like "Fun with false teeth" (which is virtuoso mickey mousing to my ears), from DENNIS THE MENACE, would likely count as a g-p, provided it passes the appeal test and, in my case, it would. Having negotiated my grandson's going to bed, so would "Bed time" from the same score.
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