Being way up in the stratosphere of success, Horner understandably likes to be very involved in the approval process of any release of his music, be it a world premiere, an expanded title or even just a straight reissue. That said, I can say he is also one of the most reasonable and responsive composers I have ever dealt with and he is very considerate towards our tiny but loyal collector's market that craves expanded releases. He has always been very agreeable towards our label, ever since we first worked with him personally on Thunderheart, Unlawful Entry and A Far Off Place in the early nineties. That's why we managed all that stuff like Uncommon Valor, 48 Hours, Journey Of Natty Gann, Something Wicked This way Comes, Cocoon, Clear And Present Danger, Wolfen, In Country, Jack The Bear, Honey I Shrunk The Kids and others.
The Hand is a score that has licensing issues at this time and Horner simply prefers everything to meet with both his and the studio's full approval. We respect those wishes and he usually admires what we produce in return. It makes for a very amiable relationship. --Doug
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