Over the past couple of years I've been studying Ron Jones's score for DuckTales and compiling an episode-by-episode documentation that breaks down every single cue heard and recycled throughout the series. I wanted to have this whole thing completely polished up before I showed it to the public, but my patience came to a head, and I felt I just couldn't wait any longer.
It's very rough right now, and some of the mistakes are ones I've since learned better of (such as the one labeled "Webby's Theme" being listed under "Treasure of the Golden Suns, Part 3" instead of "Part 4"), but it's not worth bringing up all its current imperfections here. Just rest assured I plan on clearing out all the blemishes for the final draft. Either way, as Disney still hasn't released the final DVD volume (though a dedicated group of fans are working to bombard them with phone calls and letters until they stop ignoring fan demand for such things), the documentation currently stops at the end of Super DuckTales.
There were somewhere around 330 cues composed for the series, and not all of it was Jones - there are a few musical numbers, a few ghost-written pieces when Jones was tied up with Next Generation, the different incarnations of the theme song (if you want to include material from the read-along storybooks and the Disney Afternoon soundtrack) - and a Tom Chase and Steve Rucker are credited with "Additional Music", which I believe could be the score for the "Dinosaur Ducks" episode. I've done the math with rough estimates, and a complete release would almost certainly come out to 4 discs.
No animated television score deserves a complete release more than this diamond in the rough. Ron Jones approached DuckTales in a way the other composers Disney auditioned hadn't dreamed of (or at least dared to go), and it worked marvelously. I can tell you as a six-year-old boy I found myself spending recess wandering around on my own, and humming the beginning notes of "Welcome To Duckburg", "Dire Straits", and other cues* while I pictured having my own animated work; and when I was at home actually watching the show on VHS tapes, I would rewind a scene back and forth obsessively if it featured any of my favorite cues.
This beautiful score is rich with emotion, color, and several character/place/concept leitmotifs, all of which added so much hope and wonder to my childhood that it would be no exaggeration to say it fueled and helped inspire my longing to become an animation director, for the thrill of one day seeing my work backed by similarly gorgeous compositions.
I know from recent posts that DuckTales isn't exactly high on Doug's list, if in fact it's on his list at all, but here's me making sure my voice is heard. I hope my work on this project is difficult to ignore, and I'm crossing my fingers it leads to good things.
*These are my own, fan-given titles, not the official ones.
_________________ My Holy Grails: 1. DuckTales (Ron Jones/Tom Chase & Steve Rucker) 2. DragonBall Z (Shunsuke Kikuchi), 3. DragonBall GT (Akito Tokunaga), 4. Pocket Monsters (Shinji Miyazaki), 5. A Goofy Movie (Carter Burwell, reworked by Don Davis)
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