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Intrada Soundtrack Forum • View topic - The making of a INTRADA CD?

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 Post subject: The making of a INTRADA CD?
PostPosted: Thu Mar 10, 2011 8:02 am 
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Joined: Sat Nov 24, 2007 6:30 am
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Location: Soundtrackheaven
I've always wondered, what different obsticles does a soundtrack label have to go thru before they release a CD?

Maybe Doug & Roger can shed some light and tell us how an Intrada CD comes to life.

1# Obtaining the Rights: - Is it just to pick up the phone and contact the Movie Studio to obtain the copyrights to the score?
When you do contact the Studio's, do you buy one title at a time or do you have grail-lists and buy the rights to several scores at the same time at a discount? :wink:

2# Finding the Music: - Does the Movie Studios most times store the music and other movie memorobilia (Dialogue tapes / Sound-FX tapes) in a Studio Vault?
Or does it more often include more detective work and hunting down the score by other means?

3# Mastering: - Take PREDATOR as an example. In what shape is the score's sound quality usually before Doug starts his magic mastering in the studio?

4# Limited Edition: - Is it up to Intrada to choose if you want to print a 1500 copies or 3000 copies?

5# Cover / Booklet Design + Linear Notes: - How easy/hard is it to put together a cover for the release? Do you guys get to choose which cover designs to use (both front & back)
and do you have to chase down the pictures yourselves or does the studio supply them?
Heard that LaLaLand had a hard time with their release of TANGO & CASH when it came to the covers to the CD.
I think the rumor was that it took a long time before Stallone okayed the cover designs, I could be wrong about that.

6# Pressing Plant: - How much time passes when a title has been okayed and is shipped off to the pressing plant until you have it delivered?

Would be fun for us fans and customers to get a glimpse on what goes on under the covers at the INTRADA station. :D



Doug hard at work pushing the lasted batch of CD's into the Intrada vaults. :mrgreen:


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Most Wanted Unreleased scores:
Howard Shore's AN INNOCENT MAN (1989) Touchstone/Buena Vista
Richard Halligan's THE OCTAGON (1980) American Cinema
Sante Maria Romitelli's GOD'S GUN (1976) MGM/Cannon
Trevor Jones' FREEJACK (1992) Morgan Creek


Last edited by Freejack on Sat Mar 12, 2011 9:52 am, edited 1 time in total.

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 Post subject: Re: The making of a INTRADA CD?
PostPosted: Thu Mar 10, 2011 1:26 pm 
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Joined: Wed Aug 04, 2010 4:42 am
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Location: Berlin · Germany
Not to forget the booklet and its content!


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 Post subject: Re: The making of a INTRADA CD?
PostPosted: Thu Mar 10, 2011 1:46 pm 
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Location: CocoNuts Place Bermuda
Funny...I was thinking about these questions myself yesterday, as it would be cool to know how a Cd bares fruit so to speak...
Freejack, it´s like we were twins or brothers thinking alike...sure youre not Iguana Joe hmmm???

by the way, Doug, push that crate faster and i do hope it is towards the mailing room and not in a vault to be hidden , but shouldn´t it be the hamsters or even Roger pushing that crate and Doug sitting back enjoying a big fat stoogie ;)

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I´VE COME HERE TO DRINK COCONUTS AND *censour*...AND I´M ALL OUT OF COCONUTS...

I´m a dirt merchant and a figure of your imagination


Last edited by CocoNut Joe on Thu Mar 10, 2011 1:58 pm, edited 1 time in total.

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 Post subject: Re: The making of a INTRADA CD?
PostPosted: Thu Mar 10, 2011 1:51 pm 
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I'm still awaiting new pictures of Intrada's new flat. I'm so curious to see that type stuff. We got a great peek into Lukas' world with the documentary he did.


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