Though totally dated and commercially rooted in the "80's sound, Faltemeyer's scores during this period were not only hugely influential, but successful as well, for both the films and the prospective soundtrack albums that featured even a smidgin of his score. Maybe I just don't get it, but it seemed like a no brainer that he should have gotten at least his BEVERLY HILLS COP scores released, given their popularity on the radio charts and the many awards that "AXLE F" won ( though FLETCH is my personal favorite). I know the horror stories surrounding Paramount and their desire to not release film scores, but how much trouble could there have been to produced the soundtrack of pretty much one guy and his keyboard stylings? Can we argue musician union re-use fees having gotten in the way?
Duh!!!
I'm with anyone who wants to get these scores out and would LOVE to finally have them in my film music library. (If I saw a full FLETCH score I'd about pass right the frick out!!!)
Bring 'em on!
~ Scorehead
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