Intrada Soundtrack Forum

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DavidinBerkeley

"Ask [the director] where the camera comes from and I'll tell him where the music comes from" (David Raksin)

I organize by acquisition to avoid constant shelf reorganizing,
but I maintain a database that has alphabetical listings.

It's a better way to handle the schizoidness filing of a two-fer.

I just pick the score I like best, and let that determine where I categorize it.

Back at ya later

I generally go by the score that comes first on the CD (e.g. The Star Chamber/The Driver - you can swap the covers, but rearranging the programme on the CD itself without programming it each and every time you put it in a player is harder).

The Pick-up Artist/Sherlock Holmes in New York was a tough one, since we're not only dealing with two different composers but also with a big-screen movie and a TV movie (I generally have the TV scores separate from the film ones*) - I put my copy in with the big screen "D"s for Georges Delerue.

*And when we're dealing with ones that don't really fit in either category like Bruce Broughton's Heart of Darkness... HELPPPPP!!!!

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