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I am not personally contrary to overpress even though I can't understand the marketing logic behind (if any). I find myself more comfortable with 1000-2000 copies editions because I have to think seriously if I want to buy or not to buy a release. The only, and I repeat ONLY, problem with 1-2000 limited editions is that you have to wait aeons before a new press sees the light. Correct me if I'm wrong, but this seems to happen only when AFM is involved. As a counterexample let's think about recent European soundtracks.
Example 1: A new TRIO INFERNALE CD released by GDM is in pre-order from SAE. But it was released by Dagored only three years ago. Example 2: A new COME IMPARAI AD AMARE LE DONNE is avalaible from SAE and Intrada. But it was released by Dagored only 3 years ago (again!).
Why not to think about repressing limited editions every 3-4 years, when you know they might be big hits? If only this happened with Young Sherlock Holmes, Predator or Towering Inferno...
_________________ Don't ruin your life searching for success. Simply do what you feel like doing. Time is not money. Time is life and life has no price.
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