[quote="STEVENJ
I was not familiar with this score or documentary until I read your comments, Robert, so I checked Amazon and ordered a second hand copy for about $8.00. The subject matter is repellent (to this day I have seen Schindler's List once and have no desire to ever sit through it again) but the music sounded intriguing. I noticed Intrada released this![/quote]
Hi Steven,
After writing those comments, I read the booklet for the disc. The print is quite small and I don't think I had bothered to read it when I purchased it many years ago. In this case, the booklet contains probably the definitive commentary on this score by one, Douglas Fake. No surprise there! The score is a good example of how Bernstein faced the challenge of scoring information-dense documentaries. I hope that we will one day have access to his many scores for David Wolper.
ROOMATES was mentioned by the original poster. That one is playful Elmer joyfully essaying the persona of a mischievous anti-authoritarian senior living outside the culturally scripted ideas about his twilight years. I think our dear maestro understood that dynamic well, and it plays in his music. There are at least two 'snoring' cues, one 'drunk' cue, and the "Beer Barrel Polka" in the score. No kidding!
On a separate note, I underdstand entirely your compassion and sentiments towards the commodification of the Holocaust in films like SCHINDLER'S LIST. I saw the film with an audience that included many Holocaust survivors and I left the theatre viscerally upset. GENOCIDE is a little different, I think. It came out of the Simon Wiesenthal Center.
b.
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