Actually, getting a CD and ripping it to my computer is a bit of a ritual of sorts.
I get the CD, open it up, and start ripping the CDs straight away while reading the liner notes.
Once I have them ripped, I then reorganize and tag the tracks (Composer, Conductor, Album Artist (usually Composer) and other attributes), as well as ensuring the album art is configured nicely.
Often, scores over 70-80 minutes in lendth end up spanning multiple discs.
For these, I essentially renumber and combine the tracks from the score propor into a long, sequential virtual album.
Then I get separate albums for source cues and alternates.
Sometimes muliple cues are combined in the same track on the CD, so I sometimes separate them out, so I have those cues right there.
If one track bleeds into the next (Star Trek: TMP, Main Title into Klingon Battle, tracks 2 and 3 for example), I rip the tracks, combine them, then re-encode.
For driving on my commute, or other road trips, I grab the CDs from the shelf.
When sitting at the computer, the computer sound system is the best in the home, so I simply play the ripped MP3s from there.
I make great use of both the CDs and the MP3 rips of them.
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