These two scores--20+ years old--have not been bettered in horror scoring, IMnHO. They brought a depth of feeling and a subtle approach to a horror concept that was about the Faust impulse in us all, with an evocation of other places we never even see much of in the first movie. So it was a surprise to me when I saw the second one and was blown away by Young`s ability to make a score rooted in the first that replaced subtle and sinuous background music with brass and choir-propelled set pieces that would never fit in the first movie. These two, Carter Burwell`s Book of Shadows and Rachel Portman`s Beloved are some of the best horror scoring of the past few decades, and they step on and mock the meager background plucky Penderecki rip-offs that some seem to think is original.
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