Intrada Soundtrack Forum

INTRADA
Announces:



THE LAST HARD MEN
Composed and Conductd by LEONARD ROSENMAN
Composed by JERRY GOLDSMITH, Conducted by LIONEL NEWMAN
INTRADA Special Collection Vol. 224

When collectors of movie music hear the names Leonard Rosenman and Jerry Goldsmith uttered together, two well-known feature film series might come to mind: Planet of the Apes and Star Trek. In each case, Goldsmith scored the original while Rosenman joined the series for a sequel. In between these two franchise associations came a relative obscurity that also connects the two, the 1976 western The Last Hard Men, for which Rosenman’s original score was replaced with music by Goldsmith.

Rosenman was simply asked to provide an avant-garde score and was left without further input from the film's creators. The score is, as observed by conductor and Rosenman preservationist Deniz Cordell, “uncompromising in its depiction of the psychological shadings of the story it accompanies. Leonard’s music brings to life an arid, harsh, jagged and unsympathetic West, devoid of sentimentality or nostalgic yearning for the past that characterizes other westerns. It’s also a score that’s emblematic of the direction his film music was continuing to evolve in, emphasizing rhythmic stabs to create jeopardy, alternating harmonic patterns to heighten tension and using smaller melodic kernels as anchors for the overall musico-narrative arc.”

The rejection started with just one scene. Rosenman insisted on leaving a rape scene unscored, but the film makers felt the scene fell flat so they pulled a cue for Goldsmith's Morituri to cover it. After hearing the result, the producers felt the music could be further improved upon, resulting in the Rosenman score being removed and replaced with Goldsmith cues from Stagecoach, 100 Rifles, and Rio Conchos. These cues were then rerecorded under the baton of Lionel Newman, and all but one were left unused in favor of the original soundtrack recordings. This premiere release features the complete score Rosenman sourced from a three-track split mono element and mixed reasonably for stereo for this release and all the rerecorded Goldsmith material.

Based on the 1971 novel Gun Down by Brian Garfield, the author of Death Wish, The Last Hard Men tells of former territorial police captain Sam Burgade (Charlton Heston), who comes out of retirement to pursue escaped half-Indian convict Zach Provo (James Coburn). Burgade had incarcerated Provo years earlier and Provo has now kidnapped Burgade’s daughter Susan (Barbara Hershey) in a quest for revenge.

INTRADA Special Collection Vol. 224
Retail Price: $19.99
Available Now
For track listing and sound samples, please visit
http://store.intrada.com/s.nl/it.A/id.7850/.f

The AFM musicians list on the ordering page, doesn't go to a list, but rather to the store with other releases.

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"Questions are a burden to others; answers a prison for oneself"
"Unlike me, many of you have accepted the situation of your imprisonment and will die here like rotten cabbages."
"Everyone votes for a dictator."
THE PRISONER

_________________
"Questions are a burden to others; answers a prison for oneself"
"Unlike me, many of you have accepted the situation of your imprisonment and will die here like rotten cabbages."
"Everyone votes for a dictator."
THE PRISONER

2012 has sure seen it's fair share of Westerns



But i'll gladly add this one to the mix too
Ordered along with Goldsmith's other great release Hoosiers
Intrada sure has gone out with all guns blazing this year

I think this is one Rosenman/Goldsmith score that I must order. Maybe it's because the unused score fascinates me enough to want to listen to the entire score. And also, maybe even want to watch the movie as well.

I did not like Rosenman's score, but I really enjoyed the re-recorded Goldsmith material. This CD is certainly worth owning.

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Robert M Eastman

thrilled with this disc. i love the rosenman music, it's up there with my favorites, but more than that, i think it really works as whole, with the saloon piano piece leading into the goldsmith material, i rarely play all of even a single score's complete and chronological tracks, but this plays great from beginning to end. bravo.