Startracks wrote:
Okay, you seriously have not problem with paying $110 for one score?
Not for "Spartacus", no. The only other music I can imagine paying that much for would be a properly scrubbed and snazzed-up multi-disc release of Vyacheslav Ovchinnikov's music for Bondarchuk's masterful film version of "War and Peace", but I can't see that happening any time soon. To establish a frame of reference, the most I've ever spent on a single score was $50 for John Scott's score for "The Deceivers" and I've never regretted a penny of it. But, then, I'm something of a John Scott fan.
Startracks wrote:
Yes, Mr. Townson explained why they did what they did, but it is hard to believe that the 2 CDs of interpretations, if not included would only drop the price by $10!
So... what are you saying? That he's lying about it? Why would he break his long-established habit of not engaging with the frothing, rabid masses to make up stuff? I really don't understand your point - you're saying either too much or too little.
Startracks wrote:
If the book is anything like all the rest of Varese's inserts, 90% of it will be pictures, so if I wanted to see the pictures I would watch the movie again!
I get it, you're quite clear on this point. You're not interested in the book because you know what it's gonna be in advance and you don't like it. Understood. Why do you feel the need to justify not buying this thing?
Startracks wrote:
Why pay that price for something you are only going to listen to half of it? I am not a jazz fan so the jazz interpretation the the Spartacus Love Theme will never be played.
Do we know they're all jazz interpretations? I was not under that impression. Sorry if this offends you, but I'm dying to hear what Desplat's 12-flute incarnation of the theme sounds like. What on earth might Brian Tyler have done with it, I wonder? Christopher Young?? Nathan Barr or Patrick Doyle???? You really wouldn't EVER listen to these, not even once, because of some principle? Seems kinda silly to me, but if it helps you sleep at night, go nuts.
Startracks wrote:
I used our kids as an example and gives me a way to justify spending that much money on one thing. The van we use everyday, so it was needing to be fixed. This CD set will not be used everyday, so I can not justify paying the price!
Sounds like there's too much about the set that pisses you off so why you're still considering shelling out for it is a mystery to me. Don't buy it, be secure in your conviction that you're smarter than all of us suckers, put on some nice music, and enjoy life.
Are you expecting ME to justify why I AM buying it? I'm not sure it's any of your damn' business, but I'll play. I'm not married, have no kids, my car's running fine *touch wood*, and I'm currently gainfully employed *touches wood again*. My mother's eye surgery went just fine, even though she's a bit miffed at the doctor for not being quite as clear about what she could expect as he might have been, and my aunt's second knee replacement seems to be settling in nicely - financially they're independent of me anyway, so it's not like I'm depriving family members of anything at all by indulging myself this way - sorry to disappoint you.
As I've said, I'm keen to hear what Townson's cooked up for us on the two discs of interpretations - he's a clever fellow and I've yet to regret trusting his taste in these matters. I am something of a jazz guy, so even if they were all jazz treatments, I'd still be keen to give them a try. On a side note, it seems like all the naysayers are willfully misunderstanding what these two discs are. It's not like we're getting two dozen identical groups of musicians playing the same arrangement of the tune over and over again. Has anyone actually listened to the samples? Sounds like Startracks has, but anyone else? If those curdle your eardrums (even McNeely's?? Really???) and you have no interest in hearing what such a diverse collection of talented musicians come up with when turned loose on Alex North's deceptively simple tune, then I hope someday something happens to restore your sense of adventure. You'll live longer and happier.

The disc of alternates and preliminaries I can take or leave. I tend not to get as much out of this sort of thing as I probably should. However, unlike most people decrying this release, I do not begrudge others who enjoy this sort of musical archaeology the chance to have this material. The mono tracks I have no problem with so I guess I need to start wearing my pants backwards or something? (Someone who followed the thread on the FSM board please chime in if they understand that particular point - I wouldn't want to infringe on their sensibilities any more than I already am by wearing my trousers inappropriately.)
Unlike the posse over at FSM who's decided that Townson has withheld the complete stereo tracks for nefarious reasons of his own or decided to slack off and not bother with them for this box set, I'm willing to give him the benefit of the doubt and assume that he's giving us what he can give us. True, he's nothing like as forthcoming as the Intrada guys or the FSM guys regarding these matters, but I've been more than satisfied with his past accomplishments - certainly enough to refrain from throwing rocks at the man until I've experienced the "Spartacus" set as more than a press release.
Startracks wrote:
I can still live with my $15 Spartacus CD that I bought many years ago.
Then I don't see the problem. If you're happy with what you have, you're streets ahead of most people, don't you think?
**Later**
Ooops! Forgot about the DVD! Sounds just great to me. It's one thing to pretend I can detect influences in composers' work, but quite another to hear their thoughts on a universally admired figure as Alex North. I haven't seen the documentary yet, but unlike everyone who has decided that it's gonna suck, I'd rather give it a look before declaring that I will never EVER watch it again. Call me Pollyanna, but why on earth everyone is so keen to believe the worst of this spectacular-seeming "Spartacus" set is beyond me. My only "down" thought about it is that it's too bad Jerry Goldsmith dropped off the twig before he could take part in this.
