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I saw this movie today for the first time since my school days in the early 2000s. The film is not bad, although it clearly falls short of Seagal's best films. The film is remarkable in that it contains the first original score by Trevor Rabin, which, I think, is quite noticeably different from his subsequent recognizable style. The score is full of gloomy ambient passages with cool percussion. All this is composed on synthesizers, no orchestra. This is an interesting score. Eny way, I was interested to hear Rabin's first work in film scoring.
If this score ever comes out, I'll buy it.
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Most wanted scores (In fact, there are more;) ):
Marmaids (Jack Nitzsche)
The Crossing Guard (Jack Nitzsche)
True Believer (Brad Fiedel)
Cocktail (J. Peter Robinson)
Blind Fury (J. Peter Robinson)
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