Unfortunately, it was after that interview when La-La Land mentioned that there is a ton of red tape blocking the releases of Faltermeyer's popular works.
It seems that a lot of persistence is needed to get these scores out to us. You then have to question whether such persistence is a worthy cost for scores that will sell much fewer copies than something like the original Star Trek films.
Perhaps Intrada or La-La Land needs to make a contract with Lukas Kendall to sort this mess out. It seems that he can get anything done.